Almost a white canvas which shows five transitions across six parts: five situations and one coda.

Written by Maria Vuelta (a chilean composer who has never existed), this work is one of her most iconic compositions that deals with ecology of sound and concrete fantasy.

This compositions has been performed twice to this date:
first time, by the ad-hoc ensemble “The Itinerant Ruminant” and second time by the “Wolfskin Ensemble”.